After working in Augsburg and Vienna they came to Regensburg in 1663. Their sculptural reliefs for Emperor Ferdinand III on Ovid brought issues of Empire, iconography and artistic creation into focus. The attached catalogue of works deals with the provenance, restauration, iconography, analysis and reception of their oeuvre. This study provides valuable evidence that a re-evaluation of ceroplastics is long overdue within the canon.
Daniel Neuberger the younger and Anna Felicitas Neuberger
The ceroplastic oeuvres 1621–1680 and 1650–1731
Maeve McGrath provides the first comprehensive presentation of biographical, historical and artistic aspects of Baroque ceroplastic artists Daniel Neuberger the younger and his daughter Anna Felicitas.
